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And the god shall impart a fine sense of delight,

Towards the close of day Madame de Menon arrived at a small village situated among the mountains, where she purposed to pass the night. The evening was remarkably fine, and the romantic beauty of the surrounding scenery invited her to walk. She followed the windings of a stream, which was lost at some distance amongst luxuriant groves of chesnut. The rich colouring of evening glowed through the dark foliage, which spreading a pensive gloom around, offered a scene congenial to the present temper of her mind, and she entered the shades. Her thoughts, affected by the surrounding objects, gradually sunk into a pleasing and complacent melancholy, and she was insensibly led on. She still followed the course of the stream to where the deep shades retired, and the scene again opening to day, yielded to her a view so various and sublime, that she paused in thrilling and delightful wonder. A group of wild and grotesque rocks rose in a semicircular form, and their fantastic shapes exhibited Nature in her most sublime and striking attitudes. Here her vast magnificence elevated the mind of the beholder to enthusiasm. Fancy caught the thrilling sensation, and at her touch the towering steeps became shaded with unreal glooms; the caves more darkly frowned—the projecting cliffs assumed a more terrific aspect, and the wild overhanging shrubs waved to the gale in deeper murmurs. The scene inspired madame with reverential awe, and her thoughts involuntarily rose, 'from Nature up to Nature's God.' The last dying gleams of day tinted the rocks and shone upon the waters, which retired through a rugged channel and were lost afar among the receding cliffs. While she listened to their distant murmur, a voice of liquid and melodious sweetness arose from among the rocks; it sung an air, whose melancholy expression awakened all her attention, and captivated her heart. The tones swelled and died faintly away among the clear, yet languishing echoes which the rocks repeated with an effect like that of enchantment. Madame looked around in search of the sweet warbler, and observed at some distance a peasant girl seated on a small projection of the rock, overshadowed by drooping sycamores. She moved slowly towards the spot, which she had almost reached, when the sound of her steps startled and silenced the syren, who, on perceiving a stranger, arose in an attitude to depart. The voice of madame arrested her, and she approached. Language cannot paint the sensation of madame, when in the disguise of a peasant girl, she distinguished the features of Julia, whose eyes lighted up with sudden recollection, and who sunk into her arms overcome with joy. When their first emotions were subsided, and Julia had received answers to her enquiries concerning Ferdinand and Emilia, she led madame to the place of her concealment. This was a solitary cottage, in a close valley surrounded by mountains, whose cliffs appeared wholly inaccessible to mortal foot. The deep solitude of the scene dissipated at once madame's wonder that Julia had so long remained undiscovered, and excited surprize how she had been able to explore a spot thus deeply sequestered; but madame observed with extreme concern, that the countenance of Julia no longer wore the smile of health and gaiety. Her fine features had received the impressions not only of melancholy, but of grief. Madame sighed as she gazed, and read too plainly the cause of the change. Julia understood that sigh, and answered it with her tears. She pressed the hand of madame in mournful silence to her lips, and her cheeks were suffused with a crimson glow. At length, recovering herself, 'I have much, my dear madam, to tell,' said she, 'and much to explain, 'ere you will admit me again to that esteem of which I was once so justly proud. I had no resource from misery, but in flight; and of that I could not make you a confidant, without meanly involving you in its disgrace.'—'Say no more, my love, on the subject,' replied madame; 'with respect to myself, I admired your conduct, and felt severely for your situation. Rather let me hear by what means you effected your escape, and what has since be fallen you.'—Julia paused a moment, as if to stifle her rising emotion, and then commenced her narrative.,

“I’m afraid you’re right, Ted,” said Bob. “But I sure hate to think it.”,

The King and the Prince advanced, bowing low, and said, "Sire, we have come from afar, to show you a portrait." They drew forth Rosette's portrait and showed it to him. After gazing at it a while, the King of the Peacocks said, "I can scarcely believe that there is so beautiful a maiden in the whole world." "She is a thousand times more beautiful," said the King. "You are jesting," replied the King of the Peacocks. "Sire," rejoined the Prince, "here is my brother, who is a King, like yourself; he is called King, and my name is Prince; our sister, of whom this is the portrait, is the Princess Rosette. We have come to ask if you will marry her; she is good and beautiful, and we will give her, as dower, a bushel of golden crowns." "It is well," said the King. "I will gladly marry her; she shall want for nothing, and I shall love her greatly; but I require that she shall be as beautiful as her portrait, and if she is in the smallest degree less so, I shall make you pay for it with your lives." "We consent willingly," said both Rosette's brothers. "You consent?" added the King. "You will go to prison then, and remain there until the Princess arrives." The Princes made no difficulty about this, for they knew well that Rosette was more beautiful than her portrait. They were well looked after while in prison, and were well served with all they required, and the King often went to see them. He kept Rosette's portrait in his room, and could scarcely rest day or night for looking at it. As the King and his brother could not go to her themselves, they wrote to Rosette, telling her to pack up as quickly as possible, and to start without delay, as the King of the Peacocks was awaiting her. They did not tell her that they were prisoners, for fear of causing her uneasiness.

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Wide o'er the waves her shadowy veil she draws.,

“What’s that?” cried Ted Hoyt, stopping in his stride.,

“Just see this beautiful color I have made, Mother,” exclaimed John, exhibiting a muddy yellow mixture as the result of his efforts. Mother did not seem much impressed with the new yellow color.,

“You will come back,” he said. “You have smelt desert. You have helped build. You come back. I know. Feather-in-the-Wind will wait. Will be glad when you come. Adios!”